Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas After the Bath oil painting


After the Bath
mk128 80x56.8cm About 1887-1890
Painting ID::  37760 		Edgar Degas
After the Bath
mk128 80x56.8cm About 1887-1890
   
   
     
Edgar Degas Morning Bath oil painting


Morning Bath
mk128 70x42.8cm About 1890
Painting ID::  37761 		Edgar Degas
Morning Bath
mk128 70x42.8cm About 1890
   
   
     
Edgar Degas Actress oil painting


Actress
mk128 Oil on canvas 129x98cm About 1884-1885
Painting ID::  37762 		Edgar Degas
Actress
mk128 Oil on canvas 129x98cm About 1884-1885
   
   
     
Edgar Degas Conversation oil painting


Conversation
mk138 c.1882/83 Pastel 65x86cm
Painting ID::  38624 		Edgar Degas
Conversation
mk138 c.1882/83 Pastel 65x86cm
   
   
     
Edgar Degas Marine Sunset oil painting


Marine Sunset
mk142 ca.1869 Pastel on paper 21.5x30cm
Painting ID::  38979 		Edgar Degas
Marine Sunset
mk142 ca.1869 Pastel on paper 21.5x30cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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